Showing posts with label martial arts. Show all posts
Showing posts with label martial arts. Show all posts

The Senior Deacon's Kung Fu

by Midnight Freemason Contributor
Bro. Ken JP Stuczynski




Attending the Altar reminds me of the tea ceremony, or at least it should. It should have a zen-like quality. Mind you, I don't use the word 'Zen' casually. In fact, it makes me flinch when people use it to simply mean calmness or heaven forbid buying it in the form of sand, stones, and a tiny rake. What I mean here is a quality of action with singular purpose and intention, as embodied in the mastery of such things as archery, or calligraphy, or the tea ceremony. One may call this state of mind "mushin" (Jap. 無心) or "no-mind" in the sense of acting without conscious thought being in the way. The Chinese term associated with it is Wei Wu Wei ("action without action") or more simply Wu Wei (Ch., 無為).

A more familiar term is Kung Fu. Thanks to Bruce Lee, the West has given it a synonymity with Chinese Martial Arts. But that's not what it means. It more accurately means the quality of excellence from a long period of practice. You can have kung fu in martial arts – its most common usage – or you can have it in dancing, or driving, or accounting. Well, maybe not accounting. But the most impressive show of it for me was a young Russian skater in the Winter Olympics.

I don't remember the year or his name, but I will never forget what I saw. You could tell that the other skaters had poured their hearts and souls into their routines. You could see the strained determination on their faces. It was obvious they were reaching for their highest possible performance, a peak of a culminated lifetime of effort. And then came this teen who blew them all away and took the gold. It looked as if he wasn't even trying — because he wasn't! There was only "do" or "do not" and he clearly did it. He made it look effortless, and that's not something you can fake, even less the larder you try.

So what does this have to do with the Senior Deacon's work? This could apply to any ritual, but the work at the Altar is its own unique ceremony, done by one person in a deliberate and respectful way. Unfortunately, every movement or pause is a potential distraction from the experience, even if Past Masters aren't prompting you unnecessarily. How can we tighten this experience so we are just "doing it" so that even our own concentration isn't a distraction from the experience? Based on my experience with these concepts in and out of martial arts, here is my advice.

Clear your mind. This is the simplest, yet hardest thing to do in the world. Sometimes experience being in the "zone" when doing things like listening or playing music. We lose all track of time and the outside world. That is what we're going for here. If we simply ride along the steps of the ritual as if they are pulling us through them rather than pushing them ourselves, you'll start to experience this. Of course, that means you will have consciously practiced it, with effort, enough to where you don't need to consciously think about what you need to do. Slowly let go of the effort so that you move from trying to do it to just doing it. It's not a cliche to say you become one with the ritual at that point.

Establish a clear routine. Always do it the same, at least as is possible given room constraints, directives from the Worshipful Master, and different sizes of the altar and Volume of Sacred Law. If something is different, mentally go over how you will move your hands and place the objects beforehand so you are not figuring it out as you go. But most of the work should be familiar without thinking about it, such as where you will walk, how you will turn, and which hand will do what. This last one is more important than you may realize.

Work as if doing one continuous action. This means you are ignoring time, and letting the actions themselves determine your pace. You have to relax to do this, starting with the mind, but getting your body used to relaxing as well. Do not rush anything, but do not pause more than necessary to reorient yourself for the next motion. Pause as long as you must, and no longer. It should look like you are wasting no time, and yet are not hurried or cutting the slightest corner.

Tune out all else. This goes along with clearing your mind but is more specific and practical. Decide that you will not pay attention to things outside the action of your ritual. Mind you, this is not the same as actively ignoring everything, which is not mentally possible. The very act of ignoring gives power to distraction. The trick is to simply focus on what you are doing without interest in anything else, and all else fades away.

Set your mental alarm clock. This sort of pre-hypnotic suggestion to yourself is virtually unknown to most people but still important. What you must do is agree with your subconscious that you will respond to the words of the Worshipful Master or if there is some danger present, such as a fire alarm. This is a sort of filter whereby you can be confident to focus on your work fully while still having the ability to be aware of your extended surroundings on a subconscious level.

Release judgments. Don't keep a scorecard of how poor or well you did. Each experience of ritual is just what it is, nothing more. Afterward, you can evaluate to adjust your practice if needed. You can choose to be thankful for any otherwise "negative" occurrence as something you may learn from for future practice to prevent or deal with it better in the future. There is no point in being mad at yourself or embarrassed, even if someone else gives you flack. In the end, it is simply something you can look back upon as part of your journey to perfection. That is part of what Faith is all about — that whatever happens in life are necessary experiences.

The result of good ritual work is to eliminate distraction, within and without, for both you and your Lodge Brothers. It does not have to be memorable, only meaningful in a timeless now. And with the right mindset and practice, it can be just that.

~JP

Bro. Ken JP Stuczynski is a member of West Seneca Lodge No.1111 and recently served as Master of Ken-Ton Lodge No.1186. As webmaster for NYMasons.Org he is on the Communications and Technology Committees for the Grand Lodge of the State of New York. He is also a Royal Arch Mason and 32nd Degree Scottish Rite Mason, serving his second term as Sovereign Prince of Palmoni Council in the Valley of Buffalo, NMJ. He also coordinates a Downtown Square Club monthly lunch in Buffalo, NY. He and his wife served as Patron and Matron of Pond Chapter No.853 Order of the Eastern Star and considered himself a “Masonic Feminist”.

Masonry & The Martial Arts



by Midnight Freemason Guest Contributor

Brother David Pugh


Freemasonry and traditional Martial Arts are two of my passions and favorite subjects to practice and study. On the surface they may appear to be completely different. Freemasonry is a beautiful system of morality veiled in allegory and illustrated by symbols, while the martial arts are a system of deadly self-defense techniques.  However, it is this author’s position that they are very similar in structure, philosophy, and goals for their students. The aim of this humble paper is to present their benefits and similarities to my fellow Freemasons, with the hope of inspiring new and continued interest, study, and participation in both disciplines. Please note that for the scope of this work when the term Martial Arts is used, it is referring to traditional martial art styles like Taekwondo,Shotokan Karate, or Wing Chun Kung Fu.

Let us first examine the structure of both entities. Historically both Freemasonry and the martial arts required a screening process before letting people join their ranks and obtain their “secrets”. General Hong Hi Choi the founder of Taekwondo states “A close scrutiny is made on the mental make up as well as the background of any applicant prior to his or her admission to the gymnasium. While Freemasonry still has this practice, most modern martial arts schools especially in America will allow anyone with the financial means to join their “Dojo” and start training. Historically however, this was not the case as the martial arts were passed down within a specific family line or clan and if someone outside of that group wanted to learn they had to be “vouched for”.  

Both of these systems were also practiced in secret. "Training in karate was always conducted with the utmost secrecy in Okinawa, with no one teaching or training openly in the arts as done today. The reason for this secrecy was a matter of life and death for both the Freemason and the Martial Artist. During the time of operative masonry, the knowledge the Freemasons possessed was their trade and subsequently, how they fed their families. If cowans and eavesdroppers were allowed to gain their secret information, they could take work away from those who were duly and truly prepared. In a very real way this was a matter of life and death for the Mason and his family. In the same way, if the martial artist’s techniques or “secrets” were revealed to a hostile person, tribe, or village, they could use that information to defeat them in combat and once again, meeting the Angel of Death becomes a real possibility.

Both disciplines have a Master and Grand Master that sets the adherents to work and gives them good and wholesome instruction for their labors. They both are a progressive science with grades or degrees and in order for a student to advance they must show suitable proficiency in the proceeding level’s material. In addition part of that material involves memorizing  physical movements in a certain order which Freemasonry calls due guards & signs, and the Martial Arts call forms, kata, or poomse.

Finally  both present their information in a exoteric and esoteric format. For example the public can see a martial artist demonstrating a form or kata that may have movements that look like dancing (exoteric) but they are really deadly fighting techniques (esoteric). The true meaning is only taught to the initiated which is the esoteric knowledge. As a martial arts instructor I still teach by this traditional formula.

Freemasonry aims  to make good men better, and it’s design is to make its votaries wiser, better, and consequently happier! Our ritual teaches us that Masonry is concerned with developing the internal qualities of Man. The martial arts also have the same goal as stated in the following quote from Master Gichin Funakoshi, the founder of Shotokan Karate and often referred to as the father of modern Karate.

“Those who follow Karate-do will develop courage and fortitude. These qualities do not have to do with strong actions or with the development of strong techniques as such. Emphasis is placed on the development of the mind rather than on techniques. In a time of grave public crisis , one must have the courage, if required for the sake of justice, to face a million and one opponents.”

In addition Taekwondo has the five tenets of Courtesy, Integrity, Perseverance, Self Control, and Indomitable Spirit, which each student is charged to inculcate.  These are very similar to the four cardinal virtues of Freemasonry which are  Temperance, Fortitude, Prudence, and Justice. They do not correlate directly but there is significant overlap. For example Integrity relates to Justice, as Perseverance & Indomitable Spirit correspond with Fortitude, and Self Control with Temperance. In addition to internal development, improving one’s community is also something that both systems encourage.

As Masons we learn the following from the Volume of Sacred Law, And now abideth faith,hope, and charity,these three: but the greatest of these is charity. Grand Master Hong Hi Choi in his Taekwondo Master text stated the following regarding community service: “...by rendering their labour to the public work and to the poor villages during their leisure hours so that they may teach themselves the spirit of the public service and mutual help. Both Masons and Martial Artists as they labor to subdue their passions and improve themselves in either respective systems, should also help to  transform and build their communities. For those of us who labor in both quarries we have a double responsibility to extend our cable tow in service to others. The best example of this and the harmony between  Masonry and the Martial Arts is Shotokan Karate Lodge 9752 UGLE.
In conclusion, both Masonry and the Martial Arts are progressive sciences with similar structure and goals to develop the moral character of their votaries. As the student cultivates the internal attributes of brotherly love, relief, courtesy, integrity, perseverance, justice etc., it is hoped that these will be extended to his fellow man and the community at large. It is my hope that after reading this brief comparison, my Brothers who are not martial artist may consider taking that first step and begin training in a style of their choice. For my Brothers, who travel on both paths, may this discussion increase your interest, focus, and passion to study and train harder-- to become the best Mason and Martial Artist that you can be!

References: 
Choi,Hong HI(1965) Taekwondo The Art Of Self Defence,Los Angeles California: Masters Publication
Gichin Funakoshi(1973) Karate-Do Kyohan The Master Text, New York New York: Kodansha America
Tedeschi,Marc(2003) Taekwondo The Essential Introduction, Trumbull, CT: Weatherhill Inc
Holy Bible 1st Corinthians 13:13 KJV

Yours in Brotherly Love, Relief, and Truth

Brother David Pugh SW
Plumbline Lodge#116
Subordinate to the
Most Worshipful Prince Hall Grand Lodge of Illinois and Its Jurisdiction

Master Instructor
Warriors Martial Arts
5th Degree Black Belt- Taekwondo (WTF)
Black Sash- Ip Man Wing Chun( under Master Sam Chan)
Certified Instructor- Jeet Kun Do Concepts (Harris International JKD Federation)  


Brother David Pugh serves as the Senior Warden of Plumbine Lodge No. 116 in Chicago,IL subordinate to the Most Worshipful Prince Hall Grand Lodge of Illinois. He is also a member of Eureka Chapter #3, Holy Royal Arch Masons, a subordinate Chapter of the Most Excellent Prince Hall Grand Chapter, Holy Royal Arch Masons. In addition Brother Pugh is a member of the Phylaxis Society and currently serves as the appointed Director of the Commission on Bogus Masonic Practices. He can be contacted at warriorstkd@gmail.com