Showing posts with label mysteries. Show all posts
Showing posts with label mysteries. Show all posts

Lightning Strike, or How Symbols Play Tricks on Us - Part 3 of a series

by Midnight Freemason Contributor
Patrick Dey


Very often in esoteric Masonic research papers and books, we will find instances of Masons relating Freemasonry back to some ancient mystery cult or another. They will take the few artifacts and written accounts if there are any, of these cults and spin them into something that resembles Freemasonry. Such writings were barely acceptable in the late 19th and early 20th centuries, but this really is no longer acceptable, at least academically. Their agenda appears to be that they want Freemasonry to be the inheritors of an ancient lineage of initiation rites. Albert Pike does this. Albert Mackey does this. Manly P. Hall does this. It would be nauseating to survey every Masonic author who is guilty of such parallelomania — the phenomenon of someone seeing similarities between two or more religions or cultures, in which they begin to force more similarities than are really there, sometimes completely fabricating information to push their agenda of making these things appear similar.


In many instances, they suggest that all the ancient mystery cults were the same thing, with only minor variations from region to region. Such was presumed before World War I and II, and during the time of the Great Wars, universities were largely concerned with the sciences to support the war effort. However, after World War II, many academics and funding was opened back up for research into these ancient cults. What we now understand about these cults is less certain than previously presented, and that they are all very different from each other. We call them “mystery cults” because it is a mystery what went on in their rites. It is a mystery, hence, a “mystery cult.” That is why we call them that, and there is nothing deeper than that. We know a great deal more about these groups today than we did a century ago, and what we know from archaeology has yielded many things that do appear to resemble something like Freemasonry, but just as much is totally different.


I think of Nietzsche’s example of a “lightning strike” (On the Genealogy of Morals, §13). It is two words, but one thing. Nietzsche uses this to illustrate how language plays tricks on us. We take the two words of “lightning strike” to presume that the “doer” does the “doing,” but really a lightning strike is simply one thing: an action, a doing, and we let our language trick us into viewing this term otherwise.


This sort of trick that language plays on us, I think, is being played on us when we use the term “religion.” Hinduism, Buddhism, Daoism, Christianity, Roman paganism, indigenous American religions, Satanism, et al, are all examples of what we call “religion.” But are they? They are very different things, and there is no solid definition of “religion” that totally encapsulates these “religions.” Satanists do not believe in God. Daoism does not necessarily believe in the personification of Deity, but more of an all-pervading energy or animus that endows the nature of all things. Is belief in a god or gods necessary to be a religion? Buddhists do not necessarily believe this world is real, but an illusion we have created for ourselves and that we must escape by extinguishing our being (nirvana). What even is religion? It is complicated, and the more we truly survey the different examples of religion, the more we may begin to ask ourselves: are these all examples of “religion”? or are they all different things that we only have one word to describe them?


This is what Nietzsche is saying with “lightning strike.” Do not let language play tricks on you. “Our who science is still, in spite of all its coldness, of all its freedom from passion, a dupe of the tricks of language…” thus spake Nietzsche.


Mystery cults, their artifacts, symbols, and the vague descriptions that survive of their rites, et al, makes this problem so much worse, because herein we have entered the same problem of language tricking us, but the language is not a simple signified-signifier relationship, but something much more vague and open to interpretation: symbols, allegory, myth, and legend. “Lightning” is a signifier for a very specific idea (the signified idea of lightning), and “strike” is another signifier for another very specific idea (that of striking). But introduce a symbol like a point within a circle, and we open up a world of complex and interrelating and differing ideas represented in an image that acknowledges that these ideas cannot be fully expressed in a single sign.


Let us quickly recap the conceptions of symbols as being used here and previously explored in the first post of this series, “What Even are Symbols?” published on this blog on December 20, 2023. I believe Jean Baudrillard best understood the use and conception of symbols, namely that they are a system of signs and signifiers, but that they deny that the complete totality of all it expresses can be represented in an image. This is unlike a simulacrum, a copy of something, such as a portrait of a person. We know it is not that person, but a good representation of their likeness. A symbol, on the other hand, essentially denies that the entire reality of something can be fully represented, and thus denies reality and creates a sign to stand in for a reality that cannot be represented.


If that seems vague, you are on the right page, because symbols are vague and multifaceted. They are not as simple as a nice portrait of a famous person. You do not look at a portrait of George Washington and say to yourself, “Well, the complexity of his life and beliefs are so grand and magnanimous that this cannot be a portrait of George Washington.” But if you show the image of a point within a circle, and someone says, “That is the symbol for the sun!” they will be immediately met by numerous voices declaring other things, like the duad, the image of unity, the first principle of Euclidean geometry, et al. Symbols tend to be so vague and multifaceted that they become much more open to interpretation and speculation than, say, what the words “lightning strike” mean.


There is the notion of “omnism” or “religious pluralism,” or that all religions are essentially true and can be respected. Yet, we know that Hinduism and Daoism and Christianity and Islam et al are not the same thing. Personally, I believe that God speaks more than one language, and therefore speaks more than one religion. Yet, these “religions” are not inherently the same thing, and they differ greatly, sometimes not resembling each other in any way whatsoever. In fact, some religions are so different, it is hard to comprehend how they can essentially be the same thing.


Thus, why would we expect anything different in the ancient world? The Cult of Isis was a Greco-Roman cult that appropriated an Egyptian goddess into a Roman cult via Greece. The Cult at Samothrace is a Chthonic religious cult, similar to the Cult at Lemnos, but essentially different, and probably both rooted in some neo-Hittite cult. These differ from the numerous cults of Mithras, a vast number of different civic associations of Roman soldiers that worshipped the Romanization of a minor Persian god, Mithras. These differ still from the various cults of Jesus Christ. When talking about the different forms of Christianity in the early centuries, we will call unorthodox cults as being “heresy,” coming from the Latin haeresis, literally meaning “choice [of belief].” These Christian cults can be very wild, such as the various “gnostic” sects, which were not a singular Christian movement, but rather a catch-all category of Christian heretics.


Let us clear something up before proceeding. When I say “cult,” I do not mean it in its current derogatory conception, but rather the sociological conception of a religious group that is very new, in which the vast majority of its members were not born into this religious group. The group is usually formed in protest of a particular institutional religion, and then as more members join it, it becomes a cult, and as more people are born into this cult, it becomes a denomination of an institutional religion. (See the work of Howard P. Becker).


Understanding how cults arise, how different religions can be, and questioning whether or not these are all religions or if we have no other word to describe all these different spiritual movements, we return to how Masons can presume all these different cults can be the same thing, of which Freemasonry is an inheritor thereof.


When dealing with the complex and vague language of symbols, which do not establish a particular reality, but rather deny reality, we can read whatever we want into them. This is why we can find anything from any mystery cult of the ancient world and point to it, saying, “That’s Masonic!” But is it?


I believe the cults of Mithras are the best case study for this phenomenon. The reason is that the Mithraic cults are the mystery cults of the ancient world that we know the most about. St. Jerome, Porphyry, Origen, and others write about this cult. We have graffiti and sculptural representations of their rites and myth cycle. Of all the ancient mystery cults, the cults of Mithras are the ones that we know the most about. Contrast this to the Cult at Eleusis, in which the best we can describe their rites is that there were “things done,” “things shown,” and “things said.” That is, like, super duper clear. Thanks, archaeologists!


The great central image of the Mithraic cults, the Tauroctony, is probably one of the best examples. This image depicts Mithras slaying the bull. Here Mithras represents the sun conquering the dark (the bull’s crescent horns being associated with the moon). Flanking each side of this scene are two figures, Cautes and Cautopates, the former with a raised torch and the other with a lower torch, representing the winter and summer solstices, respectively. They represent the extremes of the sun, being low and cold, and being high and hot. But Mithras is in the middle, representing a balance between the extremes (for more on the astrological interpretation of this image, I recommend the works of the Mithraic scholar Roger Beck). If an interpretation of that image sounds familiar to something in Masonry, you are on the right page: this is the interpretation of the circumpunct bounded by two perpendicular parallel lines. The point within the circle is the classic symbol of the sun, while the parallel lines represent the Holy Saints John, who represent the extremes of the summer and winter solstices, and that we should seek a balance between.


So, do we presume the Mithraic cults are a precursor to Freemasonry? I do not see how we could. The cults of Mithras were stomped out by Theodosius I in the 4th century. The European economy would not become sophisticated enough to support the guild system until the 9th and 10th centuries, and even then, we do not see the earliest stonemason guilds until the 11th century. How could there be a connection over a seven-hundred-year gap? Esoteric speculations of these groups hiding out in secret are more on brand for conspiracy theorists than anything academically tenable. But the similarity of the symbols of the Tauroctony and the circumpunct is quite strong — and I will admit that they are strikingly similar, if not astoundingly similar in conception and interpretation. However, we are letting the language of symbols cloud our judgment when we presume that just because two different groups thought up the same thing, then they must be linked, when in fact there is no solid (or even flimsy) evidence to support such.


Years ago I gave a lecture at a Masonic symposium on the subject of the similarities between the cults of Mithras and Freemasonry, and I prefaced the talk with the firm assertion that there is no link between the two. They have a lot of similarities, but just as many differences. To illustrate my point of how two cultures can have something very similar and be so remote in time and geography that there is no way to connect the two, I used the example of Yggdrasil and the contemporary Navajo sandpainting “The Healing Way,” both of which have striking similarities. They have three roots, three levels, three branches or ears of corn, a rainbow bridge, and a bird on top. However, the Norse could not have had any contact with the Navajo. That is preposterous. Yet several Masons in the room started speculating how Vikings could have come across the Atlantic and transmitted across indigenous American tribes to eventually get to the American Southwest. And I just put my face in my hands. I was just trying to illustrate how crazy it would be to presume that there could be a link between the two groups, and here you all are trying to connect them!


If even simple language can deceive us, then symbols are like a trickster god. Symbols as a language are the chief deceivers of esoteric exploration. When we find two or more similar symbols, we are compelled to find links, even making up links, to try and force a connection that is not there. It is fun to explore such things, and even enjoyable to speculate, but at the end of the day, we need to reel ourselves back in and consider the reality of a reasonable connection or just wishful thinking.


Seeker beware.


~PD

Patrick M. Dey is a Past Master of Nevada Lodge No. 4 in the ghost town of Nevadaville, Colorado, and currently serves as their Secretary, and is also a Past Master of Research Lodge of Colorado. He is a Past High Priest of Keystone Chapter No. 8, Past Illustrious Master of Hiram Council No. 7, Past Commander of Flatirons Commandery No. 7. He currently serves as the Exponent (Suffragan) of Colorado College, SRICF of which he is VIII Grade (Magister). He is the Editor of the Rocky Mountain Mason magazine, serves on the Board of Directors of the Grand Lodge of Colorado’s Library and Museum Association, and is the Deputy Grand Bartender of the Grand Lodge of Colorado (an ad hoc, joke position he is very proud to hold). He holds a Masters of Architecture degree from the University of Colorado, Denver, and works in the field of architecture in Denver, where he resides with wife and son.

Jacob's Ladder - You Don't Know, What You Don't Know

by Midnight Freemason Contributor
Robert H. Johnson


There are a number of symbols within Freemasonry, and there are no shortage of explanations and attributions for them. No doubt some are ancient and thus indisputable in their meaning e.g. The Circumpunct, meaning Deity, Self, and even a modern attribution in the ages of science as the pictograph for Gold (AU). Others, like the explanations of how to wear your apron, have assigned value that was done much later. Examples being the spiritual (triangle) over the square (physical). These and others are romantic, and yet are an invention of "modern" times. How do we know this? Because the shapes of aprons are of modern design, themselves attributed to the ease of manufacturing. This has been talked and written about ad nauseam. 

Another great example is the placement of the "G" within the Square and Compasses. This too is a "modern" and geographical adaptation. It's distinctly American and the items for which it is supposed to be representative of, only begins with the letter "G" in a few languages, thus rendering it "un-universal". This of course doesn't mean it shouldn't be used or that just because we thought it was cool and invented some concept to attribute to the symbol, even after the fact, and much later, we should drop it. To the contrary, if the assigned value assists you in determining a symbols personal value, than go nuts. But, we should always be honest about our symbols and understand our historical roots. 

We should in fact be arming our new Masons with the ritual teachings, and also the historically and contextually accurate information as well. Yes, I just alluded to the fact that ritual is not factually or historically correct. It is a symbolic work. The writers of the ritual most certainly thought some elements were fact, as they were taken from the Tanach (Septuagint). They likely used these allegories to drive home points, and embellished where they needed to. That's okay, because it's symbolic. It's a vehicle to assist you from getting from point A to point B cognitively, and hopefully changing the way you think in order to change your outward and inward behaviors. 

The stance I take here in no way is meant to take away from the esoteric value of the aftermarket attributions we tend to place on the symbols. Again, if this assists you in manifesting your destiny, then this is the "flourish" that is right for you. And the flip side to this, is that when we dig deeper into the historical and contextual meanings of symbols, we often find something even more complex and deeper than anything we'd thought of before! It pays to research, both externally and internally. 

At this point in the blog post I thought I'd have wrapped it up, but in the interest of giving away something, I thought what the heck...So I decided to give a quick gloss over of something. 

I asked myself, "What is a symbol I don't know too much about, outside the ritual and it's immediate biblical associations?" I chose Jacob's Ladder. Here's a brief synopsis of what I knew and felt it meant symbolically, what I learned after brief research and my (possible) new symbolic outlook. 

What I knew Biblical - Genesis 28 - A guy named Jacob (son of Isaac) was traveling, he decided to sleep on the ground and place his head on a rock. While sleeping, he has a vision of a ladder which extends from the Earth to the heavens. Angels went up and down the ladder. When Jacob awoke, he thought it was a miraculous vision. The ladder is seen in the biblical context as the bridge from Earth to the heavens and the rungs and angels signify the many ways we may traverse to the heavens, through sacrifices, prayers and the giving of the Torah. It's a lesson in connection. 

What I knew Masonic - Jacob's ladder also symbolizes the ways in which we may reach a state of "redemption". It is said to have 3 principal rungs which are "Faith", "Hope", and "Charity" (Love). In Masonic teaching, we're told that of these attributes, Charity is the greatest because of its long lasting impact on successive generations of people. Further, in other esoteric circles the ladder may also represent the foundation cord or rope which one travels on their way to the higher realms. The angels representing the different attributes or even Sephiroth. It even has a relation to the Hindu Gunas (3 attributes which must be in balance to escape the Samsara). 

What I learned - The idea of the ladder, like much of the Tanach is taken from earlier texts from without the system. The ladder itself exists in other cultures and is used in their religious and initiatory rites. It is used as a way to symbolize the steps upward or progressive, through a set of degrees or rites of passages. While in Freemasonry we give the allegory of just three "principal" rounds, most traditions which are older give it seven steps. Perhaps the three principal rounds are evenly distributed (first, fourth, and seventh). The number seven has it's various attributions that we're all familiar with. One Mackey points out is that the seven rungs in Freemasonry are attributed toward the Earthly virtues ad te Divine Virtues, Namely, Temperance, Fortitude, Prudence and Justice, plus Faith, Hope and Charity. 

The Persians used a variation of the ladder and they used the number seven. It represented the soul's progression toward perfection. They referred to each round as a "gate". During the "Persian Mysteries", it was necessary for candidates to progress through winding cavernous spaces (7 in total). Each cavern representative of a world or more aptly some sort of representation for the state of humanity and or the mind. The last cavern or world being called "Truth", which is very interesting when we look at the Hindu philosophy of Absolute Truth and how even that relates to the preeminent Masonic virtue of Truth. 

Mackey's Masonic Encyclopedia gives us this table explaining these rounds of the ladder. You move from the base (1) to the top (7).
7. Gold .............. Sun ............... Truth
6. Silver ............. Moon ........... Mansion of the Blessed
5. Iron ............... Mars ............ World of Births
4. Tin ................ Jupiter ......... Middle World
3. Copper .......... Venus .......... Heaven
2. Quicksilver ... Mercury ....... World of Pre-existence
1. Lead ............. Saturn .......... First World
Above I made a few cryptic references to Hinduism and it's teachings. There is an entire paper's worth of significance here that we could go into, and I will...for the Lodge of Research. 😁

For those that are intent on discovering even more about the historical and contextual meanings of Jacob's Ladder, I invite you to look in Mackey's Encyclopedia as a first step. Then I would recommend looking at concepts within Mackey's as referenced in other books of the same nature, before finally venturing out into the world of archaeological papers (non fraternal) for an un-Masonic and unbiased look as well. What truths you find in the non-masonic, which align with the Masonic, may very well be your best argument for what is true. Have fun!

We don't know, what we don't know!

~RHJ

RWB, Robert Johnson is the Managing Editor of the Midnight Freemasons blog. He is a Freemason out of the 2nd N.E. District of Illinois. He currently serves as the Secretary of Spes Novum Lodge No. 1183. He is a Past Master of Waukegan Lodge 78 and a Past District Deputy Grand Master for the 1st N.E. District of Illinois. Brother Johnson currently produces and hosts weekly Podcasts (internet radio programs) Whence Came You? & Masonic Radio Theatre which focus on topics relating to Freemasonry. He is also a co-host of The Masonic Roundtable, a Masonic talk show. He is a husband and father of four, works full time in the executive medical industry. He is the co-author of "It's Business Time - Adapting a Corporate Path for Freemasonry" and is currently working on a book of Masonic essays and one on Occult Anatomy to be released soon.