Showing posts with label symbology. Show all posts
Showing posts with label symbology. Show all posts

The Ashlar, The Circle, and The Quest for Perfection

by Midnight Freemason Guest Contributor
Bro. John Coggeshall

Recently I was presented with a mathematical dilemma that struck a particular cord with me as a Mason, and as I wrapped my mind around its mystery, mathematically I found myself discovering truths in its symbolism that are very relevant to every Mason and worthy of being shared. So what was the mathematical dilemma I was presented with? In short, it was a geometric construction that appeared to indicate that the infinite constant Pi was not 3.14159 as we all know, but rather simply 4. To begin, let’s imagine a circle with a diameter of 1, bounded by a square of width and height of 4 as shown to the right.


In this representation, the perimeter of the square as expected would be 4, and of course mathematics at least as old as our Fraternity tells us that the perimeter is that infinite sequence of numbers we know as Pi. As Masons we are taught to strive to perfect our ashlars, but what happens when the goal of our ashlar is the form of the circle? Attempting this is easy enough to attempt, simply “fold” the corners of our square again and again toward its respective edge of the circle as shown:



As we repeat this process again, and again, we soon can no longer distinguish the difference between our ashlar and the circle, and through this can claim that with enough effort our ashlar can indeed be sculpted into that perfect circle. The quandary however is that in this process, no matter how many times repeated, results in the perimeter of our circle not equaling the infinite Pi , but our original square’s perimeter of 4! 


How can this be so? Without getting into the Calculus behind the flaws of this experiment, what you need to know is that our process only yields Pi when the process is extended to infinity. How does this relate to us as Masons? To begin, let us consider the geometries we have employed in this allegorical example. From time immortal to today, philosophers and mystics have associated the circle with the Devine, infinite in its representation. Indeed the value of the circle can never be truly known, and as shown by Pi, is truly infinite in its perimeter. The square however is of a finite construction; unlike the circle its perimeter can be known and achieved. It is easy to understand in this light why the circle was regarded as Devine while the square was left to the material world -- the square is the work of men’s hands.

With this in mind, we know as Masons we are taught to perfect our ashlar, a task that can take a lifetime itself to achieve. However, like all endeavors, perfection of our ashlar should be planned if we are to achieve it – and herein lies the lesson taught by the allegory of the circle within a square. While our goal as Masons may be to perfect our ashlars, the definition of perfection we strive to achieve must be an imperfection itself to ever succeed. No matter how we try, we will never with our finite means be able to mold our ashlar into the perfection of the Architect’s circle, because it can only be fashioned by the infinite itself . Thus, it is important in our Masonic lives that we define the ashlars of our life within the bounds of what is capable of the fallible hands of man to achieve if we hope to ever to achieve it.

To put it another way, we are taught to exist within the bounds of our compass, but in truth it is equally important to only seek perfection within the means of the square. Seeking any true measure of perfection of our selves as man, just as our attempt to reproduce the perfection of the circle, is impossible. In fact, attempting it is a task with no end, and one that ironically will never produce even close to the correct result. The allegory demonstrates only the infinity of the GAOTU can achieve real perfection. As we as Masons draw our plans on our tressel boards, we must ensure the inherent imperfection of those plans is fully acknowledged and embraced in our own eye if the temple is ever to be completed, or achieve the perfection we do have the working tools to reach. 

~JC

The Camp: Part Four - The Remaining Symbols Within

by Midnight Freemason Contributor
Bro. Robert H. Johnson° 

Part 1 - Part 2 - Part 3

It has been a week since we last talked about the AASR's most interesting symbol. The Camp is just about one of the most interesting symbols in all of "mainstream" Freemasonry within the United States. In Part One, we introduced you to the symbol. In Part Two, we talked about the Nonagon and in Part Three, we discussed the Heptagon and the Pentagon.

In this final part in this series we will look at the remaining pieces of this interesting symbol. These remaining parts include; the Triangle, the Circle and the St. Andrews Cross. Let us begin shall we? Notice how we are traveling inward through the steps of this symbol. The Triangle appears just inside the pentagon. Of course the triangle has 3 sides and completes the number sequence started with the nonagon. Yes, that is correct, I am referring to the 3,5,7 and 9. But in this case we are working from the outside in.

The Nonagon - 9 sides.
The Heptagon - 7 sides.
The Pentagon - 5 sides.
The Triangle - 3 Sides.

The triangle in this symbol and in this place allude to a few things. First of all it is representative of the 31st and 32nd degrees in the AASR. These degrees are also known by the names, Inspectors Inquisitor and Masters of the Royal Secret or Faithful Knights of Malta. At each corner of the triangle is a pictograph. These pictures or symbols are of a Dove, a Phoenix and a Raven. You can probably guess at the symbolism there.

The Circle, which is inside the triangle represents the 33rd degree or the Inspectors General. This is of course an honorary degree and can not be applied or petitioned for. As for the reason the 33rd degree is represented with the circle in this symbol, is something I must leave on the table of mysteries.

The St. Andrews Cross simply represents the Grand Commander of the AASR.

This concludes our look into the Scottish Rites most intricate symbol; The Camp. I hope you have enjoyed these little informational bits as much as I have enjoyed researching them for you! Until next time...

~RHJ

Bro. Robert Johnson, 32° is the Managing Editor of the Midnight Freemasons blog. He is a Freemason out of the First North-East District of Illinois. He belongs to Waukegan Lodge No. 78. He is also a member of the York Rite bodies Royal Arch, Cryptic Council, Knights Templar, AMD, The Illinois Lodge of Research and a member of the Scottish Rite Valley of Chicago as well as a charter member of the Society of King Solomon, a charity organization run by the Grand Lodge of Illinois. Brother Johnson currently produces and hosts a weekly Podcast (internet radio program) Whence Came You? which focuses on topics relating to Freemasonry. In addition, he produces video shorts focusing on driving interest in the Fraternity and writes original Masonic papers from time to time. He is a husband and father of three. He works full time in the safety industry and is also a photographer on the side as well as an avid home brewer. He is currently working on a book of Masonic essays.

Rosicrucianism Within the Royal Arch: Part One - Beginnings of the Invisible College

by Midnight Freemason Contributor
James E. Frey 32°



My Brethren, The philosophy and mythos of the Royal Arch is often considered the climax and heart of Ancient Craft Masonry.The Royal Arch is interesting because it is the first of the High Degrees to complete the Hiramic Legend upon the discovery of the Lost Word. The Royal Arch arose across Europe under mysterious circumstances and the very nature of its teachings caused the division from the Moderns and the Ancients. Where the Master Mason degree invokes death, the Royal Arch invokes resurrection. Its tenants are of a sacred and esoteric quality inspired by the teachings of the shadowy Rosicrucians, while its symbolism and depth bring the whole of the Ancient craft teachings into the apex of understanding. Throughout this presentation I will address the connection of Rosicrucian influence upon the symbolism of the Royal Arch degree, and how its inner esoteric teachings promotes the idea of individual spiritual attainment.

To understand how esoteric thought entered into masonry we have to revisit the period of the Renaissance. During the end of the Medieval period dozens of Ancient manuscripts began coming in from Persia that until that time were unavailable in the West. These manuscripts caught the attention of one of the most wealthy and prominent noblemen in Italy, Carlo Demenatchi. Demenatchi employed a scholar by the name of Marcilio Piccino to transcribe a number of manuscripts into Greek and Latin. Some of these manuscripts famously were treaties on Plato, but two others were the Corpus Hermeticum and the Asclepius of Hermes Trismegistus. These two texts are considered the foundation of Hermeticism, a philosophy that was assembled in Alexandria a century or so after the time of Christ.

At this time Alexandria was the cultural and intellectual center of the ancient world. Hermeticism The Italian Renaissance also saw the largest burst of publishing and printing than ever before these texts became readily available all throughout Europe, and made their way into academic circles in Germany. Even into the 1500s Alchemy, Hermetics, and Kabbalah were practiced and heavily researched by Germans creating a strain of thought that man has direct communication with God instead of through the church. But the developing protestant movement would become very cold toward esoteric ideas and it didn’t approve of the mysticism and ceremony found within the Roman Catholic Church. The reformers would consider Hermes and his teaches as pagan, and the ancient wisdom of the Kabbalah to be unacceptable.

With these new ideals taking popular form in Germany the mystic circles went underground in order to continue practice christianized Hermticism, Alchemy, and Kabbalah in peace. What developed was a Northern European Mystical system that sought to replace Hermes Trismegistus but keep a Christianized archetype of that Symbol, what would develop is known as Rosicrucianism. was presented as Grecco-Egyptian style religion that fascinated the Italian Renaissance. There was a rebirth in the interest of ancient philosophy and classical thought, especially the Hermetic tradition. Also round that time Pincho De Mirandola was translating the sacred texts of Hebrew Kabbalah , and the Alchemical practices began to become more prominent as a part of scientific research. The Reason these Hermetic and Kabbalistic texts were accepted by the largely Roman Catholic population was because of the similarities with Christian Thought. It is because of the Hermetic belief that Man is the reflection of Divinity, that the Church was rather sympathetic to the publishing of Hermetic texts.


~JEF

James E Frey 32° classifies himself as a gentleman of the old world, which means he is known to stand in the great forests reciting poetry to fair-haired damsels while wrestling bears for sport. He is a District Education Officer for the Grand Lodge of Illinois, a Past Sovereign Prince of the of Danville AASR, member of the Oak Lawn York Rite, Medinah Shriners, Royal Order of Scotland, Quram Council Allied Masonic Degrees and initiate of the Golden Dawn Collegium Spiritu Sancti. He is also a guest lecturer on Occultism and Esoteric studies in masonry for the R.E.B.I.S Research Society.